November 27, 2021

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NY Philharmonic Performs For Audience For First Time in 13 Months


Since then, at most a handful of Philharmonic musicians had played together in public, at “Bandwagon” performances moved around the New York City area and as a quartet in Florida where there were less stringent COVID-19 regulations. There were also programs for digital release on NYPhil+ recorded at St. Bart’s Church and at Lincoln Center’s Alice Tully Hall with music director Jaap van Zweden.

The Philharmonic hopes to resume regular subscription concerts in September, shifted to Tully and the Rose Theater at Lincoln Center Jazz until the Geffen reopens in September 2022. Its musicians will open the summer series of Picnic Performances in New York City’s Bryant Park with four nights starting June 9 and also hope to play in Vail, Colorado. The limited return is ahead of Broadway shows, which have talked about possibly resuming in September, and the Met, which will open Sept. 27 if it can reach new labor agreements.

Salonen, the 62-year-old music director of the San Francisco Symphony and principal conductor of London’s Philharmonia Orchestra, came in as a guest conductor and will repeat the program on Thursday night (April 15). “If there’s one thing we musicians have loved during these 14 months or so, it is that nothing — absolutely nothing — can replace the act and the ritual of a live concert,” he told the audience. “Music, of course, exists on many different levels: in written form using the complex system of symbols we call notation; as recordings on various mediums; or perhaps most importantly, in our memory and in our dreams. However, music can truly fulfill its original I dare say biological function as a powerful tool to convey deepest emotions and feelings only when performed here and now at this union point in time where music performers and the audience become one in a perfect symbiosis.”

Acoustics are difficult for an orchestra in The Shed, with its high ceiling creating the need for amplification. Players grinned as they saw the crowd, and some in the audience responded with a standing ovation. “The three works we have chosen to play tonight all share a sense of moaning, nostalgia and loss elevated to something deeply and essentially human by sheer beauty,” Salonen said. “Of course, no single program can even begin to sum up our feelings and emotions after these months. Instead, we should see tonight’s concert as a new beginning, a signal for happier times ahead, filled with music and other things that give meaning to our existence in this troubled world.”



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